Tag Archives: Barbados

Barbadian Inspiration

Heidi Berger is a self-taught artist who has been living in Barbados for the last 20 years. Aside from four years of private art lessons as a teenager, Berger learned what she knows about art from researching books about different styles and artists.

The self-awareness and dignity of Caribbean Women are the main topics in her paintings. “The women of Barbados have inspired me with their resilience, their courage, their humor and their compassion, sometimes in spite of adversity in the form of poverty, abuse or lack of education” says Berger. “By painting them as strong, thoughtful individuals I like to show them in their individuality and support their strength.”

Berger pays extra attention to the background of her paintings. She pours layers of watercolors on her paper or canvas and reworks the surface with pastels, graphite and charcoal. She also inserts seemingly random words  to emphasize the power of women.  Her paintings have been exhibited in Barbados, Canada and the United States.

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The hierarchy of Colonial Society

Agostinio Brunias 2

His paintings are nowadays viewed as artistically complex visual documents showing European imperial history, but in his time Agostino Brunias (1730-1796) was considered to be subversive for showing interaction between the West Indian natives and the wealthy colonial.


By Jorge Cuartas

Agostino Brunias was born in Italy and moved to London in 1758, where he became a respectable mural painter of stately homes. In 1770, at the height of his career, he left London to settle in Dominica, then one of the newest West Indian colonies of Britain.

Initially commissioned to depict the upper-class plantation life, Brunias soon started to use the forested mountains and rivers of the West Indies as background for paintings of the people around him, who in most cases were colored. He presented a romanticized image of the colonized regions, showing interaction between the natives and the wealthy colonial settlers, while obscuring the realities of plantation slavery.

Agostino Brunias - Free Women of Color with their Children and Servants in a Landscape

For a long time Brunias’ work was deemed valuable only for the classical qualities and elegant poise of his figures. Since the 1980-ties however, his paintings are considered to accurately relate the hierarchy of colonial Caribbean, in a way illustrating the history of slavery.

“Brunias’s images are among the most important relevant pictorial source materials for the study of the historical West Indies. Very few of these images have survived.”

Anthropologist David C. Devenish

The main reason for this change in evaluation are the magnificent detailed textiles worn by Brunias’ subjects. Not only do they correspond with many firsthand European accounts, they also articulate the hierarchy of colonial civilizations. Denim is for field slaves, while extravagant materials and colors are worn by freed slaves, mulattoes and the well-to-do whites. What you wear in a Brunias painting determines your place in Colonial society. The only exception seems to be the head wrap, which is worn by nearly all women regardless of race or social status, suggesting a Creole fashion style.

Agostinio Brunias - A West Indian Flower Girl and Two other Free Women of Color Agostino Brunias - Free Women of Dominica

Examples of Agostino Brunias paintings can be found in private collections and at the British Museum; The Yale Center for British Art; Harvard University; The National Gallery of Jamaica, Kingston; The Brooklyn Museum of Art and The Museo Thyssen-Bornemisza, Madrid.

Paintings used in this article:

  1. ‘Linen Market’ (ca 1775), Agostino Brunias, oil on canvas
  2. Free Women of Color with their Children and Servants in a Landscape‘ (ca 1774), Agostino Brunias, oil on canvas
  3. A West Indian Flower Girl and Two other Free Women of Color’, Agostino Brunias, oil on canvas
  4. ‘Free Women of Dominica’, Agostino Brunias, oil on canvas
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