Elvis Tromp is an Aruban painter who speaks with colors. Using oil or acrylic he has painted several Aruban landscapes since he was a child, but lately he has expanded into figurative and abstract art.
‘Haciendo Redo’ shows three women sitting down to gossip. Set against a powerful yellow background the painting captures a very recognizable activity around the Caribbean.
Tromp, who has led the art movement on his island for decades has an active page on Facebook, showing his latest works.
Upcoming Dominican artist Firelei Báez this week opened her first solo exhibition. It is called ‘Bloodlines’ and can be seen at the Pérez Art Museum Miami. Firelei Báez (1981) raised in Dajabón, a hill in the Dominican Republic that borders with Haiti, created several new paintings for this exposition.
by Jorge Cuartas
The exposition explores themes like black culture; Afro-Caribbean folklore; the cultural ambiguity of the Caribbean; and the black resistance movement in the Caribbean and the United States. Báez combines watercolors, sketches and sculptures into unique detailed works of art which blend past, present and future using decorative elements of fashion and body ornamentation.
Man Without a Country, 2014—A highly detailed work composed of over 144 small drawings that crafts parallels between obscure episodes of history and contemporary social struggles
Patterns of Resistance, 2015—A new series of blue and white drawings centered on a textile-pattern created by Báez, using different political references from social movements in the black diaspora in the Unites States and the Caribbean
Bloodlines, 2015—A new series of portraits inspired by the tignon, a headdress which free women of color were obligated to use by law in18th century New Orleans
Paintings used in this article:
Those who douse it (detail)
Man without a country (detail)
The exposition will be on view until February 28, 2016, at PAMM: 1103 Biscayne Blvd. Miami, Florida
Nowadays he is generally regarded as one of the Caribbean’s first great painters. But in his time, Trinidad born Michel-Jean Cazabon (1813-1888) was appreciated more in Europe than in his country.
by Jorge Cuartas
Michel-Jean Cazabon came from a rather wealthy family of free colored immigrants from Martinique, who owned a sugar plantation. At the age of 24 he was sent to Paris to study medicine, where he decided to concentrate on painting.
Cazabon started painting under Paul Delaroche, a leading painter of that time in Paris. He soon became popular as a society painter of Trinidad scenery; and of portraits of planters and merchants of Port of Spain. It is due to his paintings that we have a fair view of Trinidad’s way of life in the 19th century.
His works include images of the Caroni river, the Port of Spain docks, sea views and other landscapes. He preferred using watercolors combining stunning pallets that remain fresh and bright to this day. Some of this most important works are part of the following collections:
‘Views of Trinidad’ (18 lithographs, 1851)
‘The Harris Collection’ (44 paintings, 1848-1854)
‘Album of Trinidad’ (18 lithographs, 1857)
In England and France his work was much admired and he won several awards and medals at exhibitions. His first exhibition was at the Salon du Louvre in 1839, followed by expositions every year from 1843 to 1847. Back at home his art was much less appreciated. Disillusioned with life he became a drunken eccentric.
After his death in 1888, Cazabon’s style gained more recognition in the region and his influence grew. Today he is considered to be one of the first great painters of the Caribbean. His work is appreciated for the rich details and for the use of light and shadow.
His scenes of a clean, natural and unspoiled Trinidad show a country as it was before the heavy industrialization of the twentieth century.To many Trinidadians the scenes are familiar, creating a tremendous sense of nostalgia.